1. Acknowledge the Problem: The first step in addressing any issue is acknowledging that it exists. Museums and art historians need to recognize and admit that black women have been overlooked in art history.

2. Education and Training: Museums and art historians should be educated and trained on the importance of diversity and inclusion in art history. This could involve workshops, seminars, or courses on the contributions of black women to art history.

3. Diversify Collections: Museums should make a conscious effort to diversify their collections to include works by black women artists. This could involve purchasing new works or showcasing existing ones that have been overlooked.

4. Highlight Black Women Artists: Museums and art historians should make a concerted effort to highlight the work of black women artists. This could involve special exhibitions, lectures, or publications dedicated to their work.

5. Collaborate with Black Women Artists and Scholars: Museums and art historians should collaborate with black women artists and scholars. This could involve inviting them to curate exhibitions, give talks, or contribute to publications.

6. Research and Publication: Art historians should conduct more research on the contributions of black women to art history and publish their findings. This will help to fill the gaps in the existing literature and provide a more accurate and inclusive picture of art history.

7. Outreach and Engagement: Museums should engage with their local communities, particularly those that are underrepresented in their collections. This could involve outreach programs, community events, or partnerships with local schools and organizations.

8. Review and Revise Policies: Museums and art historians should review and revise their policies to ensure they are inclusive and do not perpetuate the overlooking of black women in art history. This could involve revising acquisition policies, exhibition policies, or research policies.

9. Accountability: Finally, there should be mechanisms in place to hold museums and art historians accountable for their efforts to correct the overlooking of black women in art history. This could involve regular reviews, public reporting, or external audits.

Question

1. Acknowledge the Problem: The first step in addressing any issue is acknowledging that it exists. Museums and art historians need to recognize and admit that black women have been overlooked in art history.

2. Education and Training: Museums and art historians should be educated and trained on the importance of diversity and inclusion in art history. This could involve workshops, seminars, or courses on the contributions of black women to art history.

3. Diversify Collections: Museums should make a conscious effort to diversify their collections to include works by black women artists. This could involve purchasing new works or showcasing existing ones that have been overlooked.

4. Highlight Black Women Artists: Museums and art historians should make a concerted effort to highlight the work of black women artists. This could involve special exhibitions, lectures, or publications dedicated to their work.

5. Collaborate with Black Women Artists and Scholars: Museums and art historians should collaborate with black women artists and scholars. This could involve inviting them to curate exhibitions, give talks, or contribute to publications.

6. Research and Publication: Art historians should conduct more research on the contributions of black women to art history and publish their findings. This will help to fill the gaps in the existing literature and provide a more accurate and inclusive picture of art history.

7. Outreach and Engagement: Museums should engage with their local communities, particularly those that are underrepresented in their collections. This could involve outreach programs, community events, or partnerships with local schools and organizations.

8. Review and Revise Policies: Museums and art historians should review and revise their policies to ensure they are inclusive and do not perpetuate the overlooking of black women in art history. This could involve revising acquisition policies, exhibition policies, or research policies.

9. Accountability: Finally, there should be mechanisms in place to hold museums and art historians accountable for their efforts to correct the overlooking of black women in art history. This could involve regular reviews, public reporting, or external audits.

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