By the Byzantine period, Christian art became defined by golden mosaics and icons, which refer to sanctity. This period saw a shift from the naturalistic styles of the classical period towards more abstract and symbolic representations in art.

The Byzantine period was less concerned with pagan design traits like linear perspective. The focus was more on conveying spiritual and religious themes rather than adhering to the realistic depictions that were common in the classical period.

The statement that Byzantine art was uncomfortable with centrally-planned buildings is not entirely accurate. In fact, many Byzantine churches, such as the Hagia Sophia in Istanbul, were centrally planned and featured complex and intricate designs.

Lastly, Byzantine art was not mainly concerned with exteriors, not interiors. On the contrary, the interiors of Byzantine buildings were often highly decorated with mosaics, frescoes, and other forms of artwork. The exteriors, while still impressive, were often less ornate than the interiors.

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By the Byzantine period, Christian art became defined by golden mosaics and icons, which refer to sanctity. This period saw a shift from the naturalistic styles of the classical period towards more abstract and symbolic representations in art.

The Byzantine period was less concerned with pagan design traits like linear perspective. The focus was more on conveying spiritual and religious themes rather than adhering to the realistic depictions that were common in the classical period.

The statement that Byzantine art was uncomfortable with centrally-planned buildings is not entirely accurate. In fact, many Byzantine churches, such as the Hagia Sophia in Istanbul, were centrally planned and featured complex and intricate designs.

Lastly, Byzantine art was not mainly concerned with exteriors, not interiors. On the contrary, the interiors of Byzantine buildings were often highly decorated with mosaics, frescoes, and other forms of artwork. The exteriors, while still impressive, were often less ornate than the interiors.

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By the Byzantine period, Christian art became defined by golden mosaics and icons, which refer to sanctity. This period saw a shift from the naturalistic styles of the classical period towards more abstract and symbolic representations in art.

The Byzantine period was less concerned with pagan design traits like linear perspective. The focus was more on conveying spiritual and religious themes rather than adhering to the realistic depictions that were common in the classical period.

The statement that Byzantine art was uncomfortable with centrally-planned buildings is not entirely accurate. In fact, many Byzantine churches, such as the Hagia Sophia in Istanbul, were centrally planned and featured complex and intricate designs.

Lastly, Byzantine art was not mainly concerned with exteriors, not interiors. On the contrary, the interiors of Byzantine buildings were often highly decorated with mosaics, frescoes, and other forms of artwork. The exteriors, while still impressive, were often less ornate than the interiors.

By the Byzantine period, Christian art became:Group of answer choicesdefined by golden mosaics and icons, which refer to sanctityless concerned with pagan design traits like linear perspectiveuncomfortable with centrally-planned buildingsmainly concerned with exteriors, not interiors PreviousNext

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