Read these two passages from "The Yellow Wallpaper."And she is all the time trying to climb through. But nobody could climb through that pattern it strangles so. I think that is why it has so many heads.But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way.What tone do both passages have?A.FunnyB.HappyC.SillyD.DisturbingSUBMITarrow_backPREVIOUS

Read this sentence from "The Yellow Wallpaper."But, on the other hand, they connect diagonally, and the sprawling outlines run off in great slanting waves of optic horror, like a lot of wallowing seaweeds in full chase.What tone does the author create with the word choice in the sentence?A.RelaxedB.SillyC.ConfusedD.Happy

What aspect of the room seems to most bother the narrator of "The Yellow Wallpaper"?A.The rips in the wallpaperB.The view from the windowsC.The pattern of the wallpaperD.The bars on the windows

What does this excerpt from the end of "The Yellow Wallpaper" tell the reader about the narrator's mental shift?I don't like to look out of the windows even — there are so many of those creeping women, and they creep so fast.I wonder if they all come out of that wall-paper, as Idid?A.The narrator believes that she was once behind the wallpaper herself.B.The narrator believes the woman behind the wallpaper has finally escaped.C.The narrator believes the creeping women will attack her.D.The narrator believes the window bars will not allow her to escape.SUBMITarrow_backPREVIOUS

Read this sentence from "The Yellow Wallpaper."But, on the other hand, they connect diagonally, and the sprawling outlines run off in great slanting waves of optic horror, like a lot of wallowing seaweeds in full chase.What tone does the author create with the word choice in the sentence?A.RelaxedB.HappyC.ConfusedD.Silly

The following text is adapted from Charlotte Perkin Gilman’s short story, “The Yellow Wallpaper.” This [wall]paper looks to me as if it knew what a vicious influence it had! There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside-down. … I never saw so much expression in an inanimate thing before, and we all know how much expression they have! I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store. According to the text, what is true about the speaker?The speaker is being mocked by the wallpaper.eliminateThe speaker perceives the wallpaper as animated.eliminateThe speaker was entertained by the wallpaper as a child.eliminateThe speaker is afraid of the wallpaper.