Conceptual art is considered the most radical post-war movement primarily because it doesn't even require an object to be created. This movement shifted the focus from the physical art object to the ideas and concepts that they represent. This was a radical departure from traditional art forms, where the value was often tied to the physical object itself, its beauty, and the skill required to create it.

In conceptual art, the idea is the artwork, and the physical object (if there is one) is just a manifestation of that idea. This allows for a much broader range of expression and critique, including criticism of the institutions of art itself, such as museums and galleries.

The use of readymades and the de-emphasis of skill and technique are also aspects of conceptual art, but they are not unique to this movement and were also used in other post-war movements such as pop art and minimalism. Therefore, the defining and most radical aspect of conceptual art is its focus on ideas over physical objects.

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Conceptual art is considered the most radical post-war movement primarily because it doesn't even require an object to be created. This movement shifted the focus from the physical art object to the ideas and concepts that they represent. This was a radical departure from traditional art forms, where the value was often tied to the physical object itself, its beauty, and the skill required to create it.

In conceptual art, the idea is the artwork, and the physical object (if there is one) is just a manifestation of that idea. This allows for a much broader range of expression and critique, including criticism of the institutions of art itself, such as museums and galleries.

The use of readymades and the de-emphasis of skill and technique are also aspects of conceptual art, but they are not unique to this movement and were also used in other post-war movements such as pop art and minimalism. Therefore, the defining and most radical aspect of conceptual art is its focus on ideas over physical objects.

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Conceptual art is considered the most radical post-war movement primarily because it doesn't even require an object to be created. This movement shifted the focus from the physical art object to the ideas and concepts that they represent. This was a radical departure from traditional art forms, where the value was often tied to the physical object itself, its beauty, and the skill required to create it.

In conceptual art, the idea is the artwork, and the physical object (if there is one) is just a manifestation of that idea. This allows for a much broader range of expression and critique, including criticism of the institutions of art itself, such as museums and galleries.

The use of readymades and the de-emphasis of skill and technique are also aspects of conceptual art, but they are not unique to this movement and were also used in other post-war movements such as pop art and minimalism. Therefore, the defining and most radical aspect of conceptual art is its focus on ideas over physical objects.

Conceptual art is the most radical post-war movement because _____.Group of answer choicesit uses the readymadeit brings back the idea of skill and techniqueit doesn't even require an object to be createdit allows artists to criticize both museums and galleries

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