In line with Thakar’s stated belief in helping creatives to unlock the power of AI, Coca-Cola held its first Real Magic Creative Academy this year.The event helped it to build connections with the independent art and design community. By fostering these relationships, it hopes to unearth the talent and inspiration it needs to follow up Masterpiece.It’s an extension of the brand’s Create Real Magic campaign, which invited artists to use its digital platform to create images using Coke’s platform and assets, with the winning images going on display on billboards in New York and London.Staying on the theme of empowering creatives, there’s also Coke Studio. This is a free music-making platform, now augmented with generative AI capabilities.Hosted at various festivals around the US, visitors are able to create songs, music videos and even album covers by answering questions posed by a ChatGPT-powered bot. Once they've completed the process, which involves being filmed in a green room studio and inserted into their video, their creations can be downloaded and shared.It’s clear that the brand wants to be associated with AI and the upcoming generation of artists and creators that it believes will use it. Of course, it probably isn't a coincidence that many of them, because of what they do, are likely to be identified by marketers as influencers.Is this really good for human creatives?As generative AI becomes commonplace in advertising, we can’t ignore the implications for broader society, and in particular for human creatives working in this fast-changing field.Appointing a head of generative AI is a big statement from any company that they understand the power that the technology has to transform their business. But when a company like Coca-Cola does it, it means they know it’s going to transform an entire industry. If you’re a working artist or other creative, reliant on businesses and enterprises to hire and commission you, is it a transformation that’s in your best interests?We’ve seen that generative AI enables opportunities to create and express ideas in new and amazing ways. It also democratizes the creative process, meaning independent artists and small studios can create work that can compete with that of large agencies.But there are very real fears that industries that have always paid creatives for everything from company logos and packaging design to cinematic adverts will divert that money into AI art. So, some creatives might see this as being given the tools to dig their own graves!Another concern is that the growing closeness between industrial and tech giants like Coca-Cola and OpenAI, fostered by the AI boom, demonstrates that not everyone has equal access to these world-changing tools. We commonly see AI providers offering superior access to enterprise users. By securing access to the newest and most powerful models and algorithms, could we be heading for a future where corporations have even greater influence than they do now on the world of art and design?Personally, though, I don’t believe any of these are predetermined outcomes. The steps we take in coming years to ensure the responsible and ethical rollout of AI into society managing its impact on human lives, will determine the world we end up with.I think it will be a long time before human creativity can be completely simulated. The Masterpiece advert wouldn’t have been possible to make without human input. And I don’t think it would be able to come up with something that could become as iconic as the Coca-Cola logo itself. Or of Santa Claus in a red coat.Of course, that doesn’t mean businesses won’t try to use it to save money where they can, particularly on repetitive work – such as mass personalization, for example. But in the near term, as a commercial artist or designer, being able to augment your skills with AI is likely to open doors to new and interesting opportunities.