As action starts, we have more drawings near the starting pose, one or two in the middle, and more drawings near the next pose.Group of answer choicesSlow-in and Slow-outStagingStraight ahead and Pose to PoseExaggeration
Question
As action starts, we have more drawings near the starting pose, one or two in the middle, and more drawings near the next pose.Group of answer choicesSlow-in and Slow-outStagingStraight ahead and Pose to PoseExaggeration
Solution
The answer is Slow-in and Slow-out. This principle of animation suggests that an action should start slowly, speed up in the middle, and then slow down again before coming to a stop. This is often achieved by having more drawings or frames at the beginning and end of an action, with fewer in the middle.
Similar Questions
More drawings between poses slow and smooth the action, while fewer drawings make the action faster and crisper.Group of answer choicessecondary actiontimingsolid drawingstaging
When the animator plans his/her action, figuring out all the drawings that will be needed to animate the scene, including the in-betweens.Group of answer choicespose to posefollow through/overlapping actionsolid drawing
When the animator plans his/her action, figuring out all the drawings that will be needed to animate the scene, including the in-betweens.
A pose or action should clearly communicate to the audience the attitude, mood, reaction or idea of the character as it relates to the story and continuity of the story line. Group of answer choicesanticipationstagingtiming
How is an artwork that consists exclusively of drawings, designs, and plans for an action that may or may not take place separately best described? Group of answer choicesas performance artas conceptual artas an installationas imaginary artas a happening
Upgrade your grade with Knowee
Get personalized homework help. Review tough concepts in more detail, or go deeper into your topic by exploring other relevant questions.