After World War I and before the rise of the Nazis, artists in Weimar Germany created some of the most cutting-edge modernist art of the twentieth century. Haunted by his experiences on the battlefield, former soldier Otto Dix made art depicting the horrors he saw on the ------- of wounded soldiers, skeletons, and other horrific sights created by modern warfare. When the Nazis came to power, Dix was blacklisted from galleries and labeled a “degenerate artist.”Which choice completes the text so that it conforms to the conventions of Standard English? front—paintingseliminatefront, paintingseliminatefront; paintingseliminatefront. Paintingseliminate

Kurt Schwitters (1887-1948) was a German artist famous for his collages, or “Merz Pictures,” as he called them. He lived through World War I and World War II, witnessing immense changes in Germany. In a paper for an art history class, a student claims that Kurt Schwitters had a particular talent for using discarded materials to respond to a chaotic, incoherent world.Which quotation from a scholar describing Schwitters’ work would best support the student’s claim?“After World War I, Schwitters encountered modernist art by El Lissitzky and Piet Mondrian.”eliminate“Schwitters used train tickets, buttons, used cigarette packs, and bits of driftwood for his collages.”eliminate“The juxtapositions Schwitters made in his collages using actual trash reflect the horrors he saw on the battlefield—torn limbs amidst blown-up factories.”eliminate“Schwitters, in addition to visual art, also experimented with poetry and musical compositions, stringing together words and sounds in a discordant fashion.”

The introduction of oil paint in northern Europe allowed artists to:A.show a greater level of detail.B.begin painting portraits.C.abandon representation.D.develop synthetic cubism.

Which of the following art movement is  Non-Representational art?    Group of answer choicesHumanismExpressionismRomanticismRealism

Which German artist was known for his engravings?Multiple choice question.A)Albrecht DürerB)Jan van EyckC)Leonardo da VinciD)Raphael

Give me an example of cases where the meaning of the artwork was diluted due to its subjective nature