Which of the following is true about Paul Whiteman?Multiple choice question.Notes were rarely written out for Whiteman's musicians, who indulged in creative flights of improvisational fancy.Whiteman was regarded as the "father of stride piano."Whiteman was a classically trained percussionist.Although Whiteman was known for a time as the "king of jazz," his music was mostly written out and only sounded "jazzy."

Although Blank______, the African American bandleader and composer who called himself "father of the blues," hardly invented the form, he certainly led it into the world of commercial popular music.Multiple choice question.Fats WallerWilliam C. HandyPaul WhitemanJelly Roll Morton

Multiple Choice QuestionWhich of the following statements are true about Wynton Marsalis?Multiple choice question.He is a classicist who believes that bebop is the foundation of modern jazz.He is a classically trained African American pianist interested in the forms of Europe art music, especially of the Renaissance and Baroque period.He is a multi-instrumentalist who principally plays saxophone and flute.He completely rejects early jazz styles in his own compositions.

Who was known as the “father of stride piano”?Multiple ChoiceEarl HinesJames P. JohnsonJelly Roll MortonFats Waller

Identify an accurate statement about Louis Armstrong.Multiple choice question.He sang (in a manner of speaking), scatting in an amazingly creative, often humorous, always expressive way.He was a classically trained violinist who adored jazz but lacked the gift to create the uninhibited improvisations of the jazz musicians he admired.He was known for a time as the "king of jazz," but his music bore only a marginal relationship to real jazz.He combined ragtime and boogie-woogie techniques to produce his own inimitable piano style.

Which of the following is an accurate statement about Louis Armstrong?Multiple choice question.He recorded only twenty-nine songs, but his influence has been long-lasting and far-flung.He played the cornet in King Oliver's band and followed Oliver to Chicago, where he formed his own band and began making jazz recordings.He established a crucial link between early rural blues and sophisticated blues performances recorded for commercial distribution.He was raised as the son of ex-slaves in Alabama, learned to play the cornet as a young man, and joined a minstrel troupe.