Who among the following is most likely to disagree with Gabriel Okara on his ideas about the new culture?Multiple choice question.Adam, a historian who conducts research on the evolution of slavery and African cultureKunal, a poet who writes about technological encroachment and the invasion of privacyNoah, a scientist who believes that technological innovation is the key to lifeCharlie, a musician who loves to explore the nuances of tribal music

Who among the following is most likely to agree with Gabriel Okara on his ideas and beliefs about the new culture?Multiple choice question.Liam, who believes that the new culture is a mixed blessingRicky, who believes that modernization of society is man's best giftEric, who believes that the new culture is superior to the old cultureBridget, who believes that she is lucky to have been born in the modern era

Who among the following is most likely to perceive the kind of emotions that Gabriel Okara talks about in his poem Piano and Drums?Multiple choice question.Clara, who belongs to an upper-class family in the United States and has never imagined the plight of the poorJohan, an art student, who is deeply interested in the intricate artworks of Egyptian civilizationsJudy, a modern-age musician, who plays the guitar and the violinAddae, an African who migrates to the United States after facing immense struggle in Africa

While attending school in New York City in the 1980s, Okwui Enwezor encountered few works by African artists in exhibitions, despite New York’s reputation as one of the best places to view contemporary art from around the world. According to an arts journalist, later in his career as a renowned curator and art historian, Enwezor sought to remedy this deficiency, not by focusing solely on modern African artists, but by showing how their work fits into the larger context of global modern art and art history.14 Mark For ReviewWhich finding, if true, would most directly support the journalist’s claim? A) As curator of the Haus der Kunst in Munich, Germany, Enwezor organized a retrospective of Ghanaian sculptor El Anatsui’s work entitled El Anatsui: Triumphant Scale, one of the largest art exhibitions devoted to a Black artist in Europe’s history. B) In the exhibition Postwar: Art Between the Pacific and the Atlantic, 1945–1965, Enwezor and cocurator Katy Siegel brought works by African artists such as Malangatana Ngwenya together with pieces by major figures from other countries, like US artist Andy Warhol and Mexico’s David Siqueiros. C) Enwezor’s work as curator of the 2001 exhibition The Short Century: Independence and Liberation Movements in Africa, 1945–1994 showed how African movements for independence from European colonial powers following the Second World War profoundly influenced work by African artists of the period, such as Kamala Ibrahim Ishaq and Thomas Mukarobgwa. D) Enwezor organized the exhibition In/sight: African Photographers, 1940 to the Present not to emphasize a particular aesthetic trend but to demonstrate the broad range of ways in which African artists have approached the medium of photography.

Who said the following: "There is no more powerful force to change every institution than the first generation of digital natives"?Group of answer choicesRoman KrznaricDon TapscottDimitrios BuhalisMarianna Sigala

He was the most widely read Africannovelist and has one of the biggest contributions inletting the world enter into an understanding ofAfrican Literature( brucker, 1992).