In "The Nose" by Nikolai Gogol, what evidence from the text suggests that Kovaloff has not learned anything from the experience of losing his nose?A.Then quite gently, with infinite precaution, he raised two fingers in the air in order to take hold of it by the extremity, as he was accustomed to do. "Now then, take care!" Kovaloff exclaimed.B.For sheer joy he was on the point of performing a dance barefooted across his room, but the entrance of Ivan prevented him.C.As he returned, he met Madame Podtotchina with her daughter. He accosted them, and they responded very graciously.D.He returned joyfully, and regarded with a satirical expression two officers who were in the shop, one of whom possessed a nose not much larger than a waistcoat button.SUBMITarrow_backPREVIOUS
Question
In "The Nose" by Nikolai Gogol, what evidence from the text suggests that Kovaloff has not learned anything from the experience of losing his nose?A.Then quite gently, with infinite precaution, he raised two fingers in the air in order to take hold of it by the extremity, as he was accustomed to do. "Now then, take care!" Kovaloff exclaimed.B.For sheer joy he was on the point of performing a dance barefooted across his room, but the entrance of Ivan prevented him.C.As he returned, he met Madame Podtotchina with her daughter. He accosted them, and they responded very graciously.D.He returned joyfully, and regarded with a satirical expression two officers who were in the shop, one of whom possessed a nose not much larger than a waistcoat button.SUBMITarrow_backPREVIOUS
Solution
The evidence from the text that suggests Kovaloff has not learned anything from the experience of losing his nose can be found in the following instances:
A. "Then quite gently, with infinite precaution, he raised two fingers in the air in order to take hold of it by the extremity, as he was accustomed to do." This shows that Kovaloff is still attached to his old habits and has not changed his behavior despite his experience.
B. "For sheer joy he was on the point of performing a dance barefooted across his room, but the entrance of Ivan prevented him." This suggests that Kovaloff is still focused on his own joy and does not consider the potential consequences
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Read this passage:How great was Kovaloff's terror and astonishment when he saw that it was his own nose!At this extraordinary sight, everything seemed to turn round with him. He felt as though he could hardly keep upright on his legs; but, though trembling all over as though with fever, he resolved to wait till the nose should return to the carriage. After about two minutes the nose actually came out again. It wore a gold-embroidered uniform with a stiff, high collar, trousers of chamois leather, and a sword hung at its side. The hat, adorned with a plume, showed that it held the rank of a state-councillor. It was obvious that it was paying "duty-calls." It looked round on both sides, called to the coachman "Drive on," and got into the carriage, which drove away.Nikolai Gogol, "The Nose"Which element in this passage from "The Nose" is typical of the genre of magical realism?A.The nose is dressed as a heroic figure and is really the protagonist of the story.B.Kovaloff is jealous of the nose and wants to take its place as state-councillor.C.Kovaloff is surprised but doesn't question why the nose is able to walk around.D.The nose doesn't stop to speak with Kovaloff but simply drives away quickly.SUBMITarrow_backPREVIOUS
The Nose" by Nikolai Gogoltranslaterecord_voice_overprinthelp_outlineQuestion 2 of 5What happens to Major Kovaloff's nose at the end of the story?A.It marries Madame Podtotchina's daughter.B.It becomes the state councillor and moves to Riga.C.It suddenly reappears back on Major Kovaloff's face.D.It jumps from the middle of the Isaac Bridge.SUBMITarrow_backPREVIOUS
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