Select all the statements that describe the use of harmony by twentieth-century composers.Multiple select question.Consonant chords began to be treated as a point of arrival.They were freer in their views of what could be considered consonance and dissonance.They treated all chords as having essentially the same tension.They often used traditionally dissonant chords as stable chords.

Which of the following is a very important element of early twentieth-century music?Multiple choice question.Tone colorTriad chord structureUnison writingLack of dissonance

Which description explains the "emancipation of dissonance"?Multiple choice question.It holds that dissonant chords indicate resolution while consonant chords demand motion.It treats all chords, regardless of their traditional definition, as dissonant.It stops composers from differentiating between chords of greater or lesser tension.It eliminates the general principle that determines whether a chord is stable or not.

Dissonance in early-twentieth century musicQuestion 4Answera.became the norm.b.could serve as a final cadence.c.was freed from its obligation to resolve to consonance.d.All answers are correct.

Before the twentieth century, western music generally satisfied the listeners' expectations that a dominant triad would resolve to a(n) ______ chord.Multiple choice question.diminishedtonicaugmented

Select all the statements that illustrate how classical composers created expression of mood in their music.Multiple select question.The composers emphasized balance through unity and logic in music with a wide emotional range.The composers were unable to control moods in their music, so unity and logic suffered.The composers sought to convey specific moods by devoting each theme to a single mood.The composers firmly controlled changes of mood in their music, however abrupt or extreme the change might be.