Dissonance in early-twentieth century musicQuestion 4Answera.became the norm.b.could serve as a final cadence.c.was freed from its obligation to resolve to consonance.d.All answers are correct.

Which of the following is a very important element of early twentieth-century music?Multiple choice question.Tone colorTriad chord structureUnison writingLack of dissonance

Select all the statements that describe the use of harmony by twentieth-century composers.Multiple select question.Consonant chords began to be treated as a point of arrival.They were freer in their views of what could be considered consonance and dissonance.They treated all chords as having essentially the same tension.They often used traditionally dissonant chords as stable chords.

Which description explains the "emancipation of dissonance"?Multiple choice question.It holds that dissonant chords indicate resolution while consonant chords demand motion.It treats all chords, regardless of their traditional definition, as dissonant.It stops composers from differentiating between chords of greater or lesser tension.It eliminates the general principle that determines whether a chord is stable or not.

Before the twentieth century, western music generally satisfied the listeners' expectations that a dominant triad would resolve to a(n) ______ chord.Multiple choice question.diminishedtonicaugmented

What did composers of the romantic era emphasize in their music?Multiple choice question.Their disdain for political divisionsTheir religious convictionsTheir own individual personalityA dystopian vision of the future